Endings are hard to write.
Sometimes I’ll find myself running in circles and drawing out the last chapter because nothing I write works as a final line. There was an urban legend that may or may not be true (hence: urban legend) saying the J.K. Rowling knew for many years that the last word of Harry Potter 7 was going to be the word “scar.”
It wasn’t. She changed her mind. Writers do that.
I have leaped with great gusto into writing a new book. It has been some time since a story grabbed me and shook me into submission like this one, and I’m loving it. The start was easy. I raced through about 8 or 9 chapters lickedy-split. I’ve also gone to the trouble of mapping out the entire book. I know what’s going to happen, how it ends, everything. Don’t have the final word nailed down, but I’ll figure it out when I get to it.
So far, everything is awesome.
Until it’s not.
(not actually me)
Somewhere around chapter 10, I ran into a problem. Looking at my notes, there is a very specific “X happens now” note, which is great, but it’s more of a guideline. The note’s actually closer to “X shows up here.” So cool, X shows up. But I didn’t actually say what X is supposed to do or how anyone is supposed to react to finding X standing in the middle of the puddling (Oops! Did I give too much away?).
Looking further on my outline, the next event is “Y shows up.” Again, not that helpful. Beyond that, I get some very specific instructions on plot point Z and the story rapidly unfolds beat by beat to the end. So if I can just get past this obnoxious middle, I’m set. But I’m stumped.
I know that I need X and Y to arrive before we get to exciting plot point Z. But X and Y can’t just show up and then everyone sits around for a bit until it’s time for Plot Point Z. Things need to happen. I’m just not sure what.
I’m stuck in the mushy middle.
It’s not that X and Y are empty characters. I have lots of very detailed things that X and Y will do as we get further into the book. I just didn’t think to have them do much more than plop their fictional fannies on a bar stool and twiddle their thumbs upon arrival. I’ve gone back to the beginning and edited and thinned and altered and tightened and made it even better and even more exciting and funny and cool. But then I get to “X shows up” and the writing process screeches to a halt.
Making things harder is the fact that, due to the rules of the world I’ve created, there needs to be a period of time between the arrivals of X and Y and then more time must pass until Plot Point Z. I can’t just cram all three beats into one scene and be done with it. That would break the universe I’ve created.
Because usually it’s the end that stabs you in the back, severing your spinal cord and making you flop to the ground like wet linguine.
(me after being turned into wet linguine)