I’ve been working on Book 3 (which isn’t really the third book of any series, nor is it the third book I will have written, but Book 3 works fine for a title for now) for a little over a month now. Like all projects that hook me, the beginning of the work rushed by and flowed out of my fingers like the creamy center of a Cadbury Egg (they have creamy centers, right? It’s been a while since I had one).
Then, like all projects that hook me, things slowed down. I had a conversation with myself that went something like this.
“Oh, so now that you’ve created a world, you expect to have a fully-conceived story to put in it? Complete with three-dimensional characters, plot twists, some sort of theme, and lots of your usual silliness?”
“Right. I’ll get back to you.”
I sat back, looked at my fledgling baby, poked it, prodded it, and came up with a complete story idea. I wrote some notes on a Google Doc and dove back in.
Then I had a cool idea, so I had to go back and add it and that changed some things so I needed to go back again and fix them and then I changed some other things and had to go back to the start to make sure I set them up and then… well then the notes on my Google Doc didn’t make any sense.
I forged ahead, as writers with an inflated sense of ability are wont to do. Things bogged down. Like, trying to walk through a vat of kindergarten paste while wearing Uggs. I went from 1,500 or 2,000 words a day to 300 or 400. The next day I’d go back and rewrite 200 of those 400 and call it a day.
The project stalled.
I cried. I wailed. I berated fate. I watched some TV. And inspiration came to me–though not from watching TV, that was a total waste of time.
I got out on old, blank notebook. A nice one with slightly-thick paper. I opened up to a blank page and wrote the concept for one scene I knew I wanted in the book. Then I ripped the page out of the notebook and placed it on the floor. I wrote another scene concept on another blank page. Ripped it out. Set it down.
Soon enough, I had about eight pieces of paper on my floor. I arranged them in chronological order. I saw where there were holes and forced myself to write something on a new page, rip it out, and use it to fill the hole. I got interested in the very end of the book, and wrote a number of pages and ripped them all out, placing them in order. Saw another hole, wrote a new page. Got an idea, wrote a new page, set it down to replace an earlier page I’d ripped out. Crumbled up the earlier page–I wouldn’t be using it.
When my family finally came home (what, you think I’d be able to litter the living room floor with scraps of paper if they were around?) they found me sitting criss-cross applesauce on the living room rug surrounded by a large semi-circle of torn pages.
It is a testament to their ability to excuse and overlook (as well as a testament to my habits in general) that they did not strap me into a straight jacket then and there and have me hauled away.
Luckily for me, I had pretty much finished my task. Around me were 26 pages torn from a notebook (remember, a nice one) that told the story of Book 3 from where I was currently stuck all the way to the end. I’d gone and outlined my novel. And I liked it. Some of it made me giggle. Some of those giggles weren’t the deranged giggles of a mad man.
So today I impart upon The Next Bit of the the journey of Book 3, this time armed with 26 ripped pieces of nice-ish paper to guide my way.
And you thought writing was boring.